Showing posts with label slow motion. Show all posts
Showing posts with label slow motion. Show all posts

Saturday, 17 October 2015

Opening 7 (zombie genre) Zombieland

Rating: 7.7/10 IMDB 89% Rotten Tomatoes
Release Date: 2 October 2009 (USA)
Genre: Adventure, Comedy, Horror
Age Rating: R
Director: Ruben Fleischer
Writers: Rhett Reese, Paul Wernick
Stars: Jesse Eisenberg, Woody Harrelson, Emma Stone, Abigail Breslin
Budget: $23,600,000
Gross: 102,391,540
Production Co: Columbia Pictures, Relativity Media, Pariah
Synopsis: A shy student trying to reach his family in Ohio, a gun-toting tough guy trying to find the last Twinkie, and a pair of sisters trying to get to an amusement park join forces to travel across a zombie-filled America.
Length of title sequence: 1:44 min

Idents:
Columbia – Normal

Text: In order (starts 3:10 in)(3D text, interacts with the clip)

COLUMBIA PICTIRES PRESENTS – Red text, low angle zombie throws man off tower.

IN ASSOCIATION WITH RELATIVITY MEDIA – Red text, Medium shot of zombie.

A PARIAH PRODUCTION – Red Text, Woman running from zombie.

WOODY HARRELSON – Red text, homeless man being eaten.

JESSE EISENBERG – Red text, long shot man running from zombies.

EMMA STONE – Red text, same shot as Jesse Eisenberg.

AND ABIGAIL BRESLIN – Red text, medium shot riot police fighting zombies.

ZOMIELAND – Red text, Italic, medium shot of many breaking glass along with the.

CASTING BY JOHN PAPSIDERA CSA – Red text, Long shot man running from zombie,

COSTUME DESIGNER MAGALIGUIDASCI – Red text, same shot,

MUSIC BY DAVID SARDY – Red text, same shot,

EDITED BY PETER AMUNDSON ALAN BAUMGARTEN, ACE – Red Text, zombie tackling worker,

PRODUCTION DESIGNER MAHER AHMAD – Red text, father and son running from zombies,

DIRECTOR OF PHOTOGRAPHY MICHAEL BONVILLAIN, ACS – Red text, fireman running from zombie,

EXECUTIVE PRODUCERS EZRA SWERDLOW PAUL WERNICK RHETT REESE RYAN KAVANAUGH – Red text, same shot as before,

PRODUCED BY GAVIN POLONE – Red text, Man shooting AK-47 at zombies.

WRITTEN BY RHETT REESE & PAUL WERNICK – Red text, same shot as before.

DIRECTED BY RUBEN FLEISCHER – Red text, low angle of zombie hitting window.

Editing:
After the ident it fades to black, then it fades in to the American flag. It slowly zooms out to a POV handheld camera of the congress. This is when you see the first zombie, which establishes the genre. The next transition zooms out so you see the world on fire and it zooms back in. In the opening scene there is only cuts used except at the end where it fades out. In the title sequence there are only fades used which looks smooth along with the slow motion of zombies running.

Mise-en-scene:
Throughout the title sequence you see zombies. The slow motion captious the horror made from the costumes and well done make up. The props used also back up the genre such as the AK-47, and burning car. All the zombies have blood dripping from their mouths and have cuts and bruises.

Sound:
At the start you hear a VO establishing the narrative. The American national anthem is played put sounds rusty. This suggest the end of the world as well as the diegetic on-screen sound of zombies grunting and screaming. When the zombie burbs it emphasises the comedy genre of the movie. The VO also says the name of the movie Zombieland. When the title sequence is playing rock music is playing as people fight zombies in slow motion. There is no diegetic sound as the only thing you hear is the music. At the end a zombie crashes into a car window when this happens you hear the diegetic sound of the glass breaking as well as a church bell.

Conclusion
Having looked at the order of the titles I expected the idents and company names to appear first (which they did) followed up by the names of the actors. I expect the title of the movie to appear least but here it appears in the middle with the caster, musician, costume designer, etc after the title. I think I will follow the same order I think, bar having the movie title appear in the middle

Wednesday, 23 September 2015

Opening 3 Love Actually

Love Actually Opening
Release Date: 14 November 2003 (USA)
Rating: R
Director: Richard Curtis
Writers: Richard Curtis
Stars: Hugh Grant, Martine McCutcheon, Liam Neeson
Budget: $45,000,000
Gross: $246,942,017
Production Co: Universal Pictures, StudionCanal, Working Title, DNA Films

Synopsis: Follows the lives of eight very different couples in dealing with their love lives in various loosely interrelated tales all set during a frantic month before Christmas in London, England.


The movie starts off with the Universal intro, then studio canal and finally working title.

It fades in to a tracking shot of a woman walking towards a man. There is non-diegetic music that starts to play. The woman is wearing a large backpack indicating she’s been away for a while. When they meet he hugs her and you can see relief in his face as he strokes her hair and kisses her. It is a medium close up and they are the only thing that’s in focus.

It then cuts to the camera zooming in and out to kids running and hugging a woman. It is in slow motion so the audience can see the emotion. The camera stops zooming when the little girls face is in focus. You can see real happiness as the girl smiles when hugging.

There is another cut to two old people hugging and kissing it is also in slow-motion and a medium close up so the audience can see the happiness and relief in the people’s faces.

It cuts again to a mother picking her daughter up and kissing her. The Non-diegetic slow music is still playing. A voice over is heard of a man talking. The VO tells the audience that the footage is from Heathrow airport.

As the voice over and music play the camera cuts again to medium shot of a mother and daughter hugging. It cuts again to more people hugging. As the voice over talks about how love is all around, that love can be mothers and daughters, father and sons, friends, etc. A video of those couples hugging appear.  After a bunch of clips at the Heathrow airport at 1:53 the VO says “Love Actually Is all around” the words come up on screen and the words fade except Love actually. The word love turns red.

The video fades to black and all you see is Love Actually. The non-Diegetic music stops as well as the VO. The words fade as a medium close up of a man is shown dancing to Diegetic of screen music. He then starts singing wet wet wets “Love is all around”. It cuts to a long shot of the chorus singing as well as the man singing. The audience know they are in a studio by looking at the props used. This is when all the music becomes Diegetic.

It cuts again to a long medium shot of the producer, and other people working at the studio. There is a continuity edit of the singer and the producer. When it cuts back to the producer it’s a medium shot and you can see he is disappointed. The continuity shot continuous as they talk about the origin wet wet wet song. Whenever the music is playing you see the actors names pop up with one letter being red witch fits with the Christmas and love genre.


You can see the producers face is filled with joy when the singer sings the write word for the third time. It cuts to the singer signing as the camera slowly moves away from the singer to a long high angle shot of the singer and chorus. The continuity shots continue as the song goes on and everyone is dancing. It the cuts at 4:02. 

The music signifies the genre and the voice over anchors the rom-com genre when he says the name of the movie. The accent anchors where the movie is set, and the airport is an iconic sign of Britain.